Harold Perrineau Finds His Way

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The “Lost” superstar is on acquainted floor in “From,” an Epix horror sequence about a neighborhood of stranded strangers. But his path has been something else but obvious.

Credit…Philip Cheung for The New York Times

“I’m a minute little bit of a weirdo,” Harold Perrineau acknowledged. “My critical other says it your full time: ‘You don’t realize how worthy of a weirdo you can also be.’ I’m the fellow talking to himself by a part.”

He didn’t seem adore a weirdo in a most up-to-date cellular phone interview. Pushed, per chance, or even a minute bit obsessed — adore plenty of winning actors.

Presumably weirdness was on his mind attributable to he was calling to chat about his starring characteristic in a contemporary horror sequence, “From,” that, no query, is odd. Imagine “Our Town” if George Romero obtained his hands on it.

Within the sequence, which premieres Sunday on Epix, Perrineau performs Boyd Stevens, a no-nonsense sheriff responsible of retaining his city get from the undead company who stalk the streets after sunset. Bearing neighborly grins, these ghouls plead to be let inner of us’s homes. It’s now not a wide conception to let them in — except you like to be disemboweled, adore the minute girl and her mother in the sequence’s unnerving first minutes.

“They slowly budge toward you,” acknowledged Perrineau, 58, a father of three daughters who lives in Los Angeles alongside with his critical other, Brittany. “That’s what makes them so provoking.”

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Credit…Chris Reardon/Epix

For Perrineau, it’s acquainted territory: a return to establish for an actor whose only-identified roles were in the same scheme desperate males in dire eventualities, together with Augustus Hill, the paraplegic narrator of the experimental HBO penal advanced drama “Oz” (1997-2003), and Michael Dawson, the tragic father and pissed off artist in the landmark ABC sequence “Lost” (2004-10). As in “Lost,” a demonstrate with which “From” shares two executive producers, Perrineau’s persona finds himself trapped with an eclectic ensemble of characters, confused by supernatural forces.

To listen to Perrineau list it, the characteristic over as soon as more lets him, as an actor and a human, quiz: “What would I develop?”

Then as soon as more it is additionally the next step alongside a path that has been something else but obvious, a lead TV characteristic — his first since “Oz” — that is worlds a long way off from the stage, where Perrineau, a talented singer and dancer, decrease his tooth. And it’s an precise distance from where he started.

Perrineau grew up in Cypress Hills, a neighborhood in the historically demanding East New York share of Brooklyn. He caught the performing arts bug early. He cherished dancing, he acknowledged, and at Erasmus Hall Excessive College, in Flatbush, he studied violin attributable to he was “too instant to play the bass neatly.”

He was no fan of horror; as a child in “these hoods in the ’70s,” he acknowledged, “there’s no money and no funding, and of us develop up on welfare and there are guns and medicine.”

As he assign it: “I had ample contaminated photos in my head.”

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Credit…Philip Cheung for The New York Times

Mute, the pull of the performing arts was solid — he had stumbled on his roughly weirdos — so Perrineau acknowledged goodbye to Brooklyn to quiz musical theater at Shenandoah University, in Northern Virginia. But when his classmates stumbled on out he had left New York to region up for a profession onstage — “Are you loopy?” he remembers them asking — they pushed him to rethink his option. After a year-and-a-half of, he went support to New York to quiz dance on a scholarship for the Ailey College and took performing lessons.

Perrineau obtained a fracture in 1986 when he was solid as a dancer on the NBC sequence “Standing.” Acclaim adopted in the 1990s for his roles on “Oz” and on the sizable show cowl, together with as a deliciously glammy Mercutio in Baz Luhrmann’s “Romeo Juliet” (1996) and in the lighthearted rom-com “Very best Man” (1999), which spawned a 2103 sequel. (A Peacock sequence featuring the real solid, together with Perrineau, is deliberate for later this year.)

In 2004, “Lost” took his profession and “cranked it as much as one other level,” as he assign it understatedly. (Translation: “I couldn’t stroll down the avenue without being known.”) His persona was killed in Season 4 and returned for the sixth and final season, an arc that Perrineau has acknowledged upset him on the time. It was additionally a pattern that, in retrospect, potentially helped him to support a long way off from being defined by a single characteristic thereafter.

“Fortunately or sadly, reckoning on can gain to you quiz me, I left ‘Lost’ rather early on, so of us don’t only see me as Michael,” he acknowledged. “That helped me develop as many plenty of issues as I would per chance.”

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Credit… Mario Perez/ABC

To establish just a few, he played a drug kingpin in FX’s “Sons of Anarchy,” a pick in the Amazon sequence “Goliath” and an angel in the NBC sequence “Constantine.” His stage profession has persisted, too: Six years ago, he made his Broadway performing debut in a revival of Chekhov’s “The Cherry Orchard.”

But Perrineau acknowledged it was a costume — attire, the truth is — that gorgeous tuned his sense of self. Because the plug queen Rhea Ranged in the Netflix comedy “Dumplin’,” Perrineau acknowledged, he discovered “this part about: ‘Lady, you like to be you attributable to there’s no plenty of solution to be.’”

“Being in a costume,” he acknowledged, “was the major time I felt I understood realize my Weirdo Harold.”

Whoever Weirdo Harold is, he has followers. As “From” begins, one individual tuning in steadily is the actress Niecy Nash. Perrineau played Dean, the autistic brother of Nash’s Desna, the South Florida nail salon proprietor and money-launderer in the TNT dramedy “Claws.”

Nash acknowledged Perrineau was “on the tip of the list in phrases of favourite scene partners” on “Claws,” which just now not too lengthy ago ended its four-season dash. Out of doorways of labor, she acknowledged, the fellow’s a mensch.

“He is an actual time, and an unheard of father, and has one in every of the most infectious laughs I’ve ever heard,” she acknowledged. “Him leading the price against zombies is something I’m looking out at.”

Love the avenue leading out of city in “From” — which leads supernaturally actual support into city — Perrineau’s path a long way off from “Lost” has, in a mode, advance elephantine circle. Created by John Griffin, “From” is one other demonstrate about perdition, in every sense, a late-burn horror sage about trapped strangers with unlit histories and motives.

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Credit…Philip Cheung for The New York Times

If that sounds a minute bit acquainted, it’s minute surprise. The demonstrate’s executive producers encompass Jack Bender and Jeff Pinkner, two of the manager producers of “Lost,” the ne plus extremely of trapped-strangers tales. But listen up, timid “Lost” followers: The 10-episode first season of “From” can gain “a extremely contained arc,” Pinkner has acknowledged.

“That’s what they acknowledged about ‘Lost,’ too,” Perrineau acknowledged with a laugh.

Those arcs, on the opposite hand, hint very plenty of traces. Where “Lost” began with a plane break and only later — to the frustration of many followers — tipped into the otherworldly, “From” is supernatural horror from the open, driven by two central mysteries: Why develop these creatures return every night? And why can’t the townspeople fracture out? Add additional layers of premium-cable carnage, and horror followers can gain to be tickled.

Bender, in a most up-to-date video call, acknowledged that having worked with Perrineau on “Lost,” he knew the actor to be a “gorgeous maypole” whose warmth drew his castmates shut. Perrineau “carries with him this deep neatly of integrity without broadcasting it,” Pinkner added, happening to list the actor’s qualities as “gravitas and grace and intensity and heartbreak.”

Griffin, the creator, who was on the video call with Bender and Pinkner, recalled a day on the “From” region when one in every of Perrineau’s traces wasn’t touchdown; after some support-and-forth on what to develop subsequent, Griffin let streak.

“So then I was adore, ‘Harold, correct develop what feels actual,’” Griffin acknowledged. “I walked away then watched him on the show screen, and particular ample he opened his mouth and magic got right here out.”

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