How Pink Floyd Got One of Its Best-Known Covers

How Pink Floyd Got One of Its Best-Known Covers

How Pink Floyd Got One of Its Best-Known Covers

To say Pink Floyd’s Darkish Facet of the Moon was a hit is understating it a bit of. Because of generations of stoners and Wizard of Ouncesaficionados, Floyd’s 1973 album remained on the Billboard charts for a staggering 741 weeks, from the time of its launch in ’73 till 1988. That is some severe dedication from an viewers that may sometimes solely depart the sofa to seize the second bag of Doritos. The album would go on to promote over 50 million copies and still strikes copies to at the present time, standing as one of the crucial commercially profitable albums of all time.

All through common music historical past, the stress that comes with crafting a worthy a follow-up to an enormous hit has allowed for some really nice one-two punches. Bruce Springsteen adopted up Born to Run with Darkness on the Fringe of City. The Rolling Stones gave us Exile on Principal St. just one yr after Sticky Fingers. And A Tribe Referred to as Quest someway crafted two straight masterpieces, with 1991’s The Low Finish Idea and 1993’s Midnight Marauders. Pink Floyd did the identical with Want You Had been Right here, an album that served not solely as a scathing music-industry critique, but in addition as a shifting tribute to unique lead singer Syd Barrett.

Storm Thorgerson, who had also created the duvet artwork for Darkish Facet of the Moon, designed the now-infamous cowl. It is obvious that Thorgerson, working off of the lyrical themes of the report, needed to discover photos that depicted the longest-standing, tried and true ethos of rock and roll: sticking it to the person. So Thorgerson’s cowl (and your entire LP sleeve, really) is stuffed with imagery that lambasts the soulless salesmen. On the entrance, there are two males in fits shaking arms, One of them on hearth. Ronnie Rondell and Danny Rogers had been the stunt males employed for the duvet, and the excessive winds that day prompted Rondell to lose his eyebrows and moustache. Contemplating it was the ’70s, it was in all probability a fairly nice moustache, too. The again cowl boasts a faceless salesman within the desert, his lack of ankles and wrists a not-so-subtle depiction of the “empty swimsuit.”

The whole lot of the LP cowl and inside fold suggests such vacancy and vacuity, explored on tracks like “Welcome to the Machine” and “Have a Cigar.” When it got here time to launch the album and ship it to report shops, Thorgerson solely added to these themes by insisting that your entire LP must be encased in a black plastic sleeve, a transfer solely ever perfected by Floyd and, you already know, these guys.

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